Should the tax system encourage marriage?

Well, it certainly shouldn't discourage it, and if David Cameron thinks that's currently the case, then maybe he has a point. But I honestly don't think the tax system should encourage marriage either.

It's not that I don't believe that marriage provides the most stable environment for children to be brought up in. It quite clearly does. But is providing tax incentives to get married really likely to provide more stable, loving homes - or might it actually achieve just the opposite?

Okay, so I probably move in rather traditional social circles compared to some, but most people I know got married because they believed they had found their soulmate, not because they wanted to find a way of knocking £200 a year off the income tax bill.

If there really is anyone out there who got married for those sorts of reasons - and that I rather doubt - then they are probably three quarters of the way to the divorce court already.

Comrade Digby

Excellent post here, as ever, from Skipper. While sympathetic to the concept of governments-of-all-the-talents, I think the protesting Labour MPs may well have a point here.

Ripples do come back....

There is music, and then there is Genesis music. I've been into lots of other bands at various times in the last 44 years, but none that have engaged my emotions in quite the same way as Messrs Banks, Collins and Rutherford - and as Saturday night's comeback gig at Old Trafford showed, the old magic is still there.

Nothing is ever as good as the first time, and in terms of my Genesis experience, nothing will ever quite match the first time I saw them, but that was partly down to the company. Musically speaking, this was the best performance I have ever seen them give - and that is saying something.

It was an advantage that with no new material to perform, they could concentrate instead on crowd-pleasing. The whole show was an exercise in unashamed nostalgia, with images of their old album sleeves and old 70s long-haired photographs flashing across the giant pixilated screen at the back of the stage.

Phil Collins said in a notorious interview in 1981: "I can't expect people who liked us ten years ago to still like us today." In those days, they were trying too hard to ecsape their prog-rock roots. On Saturday, it felt for the first time as if Genesis have truly come to terms with their past

It was significant that the 24-track set featured nothing from the controversial 1981 LP Abacab, the one which alienated the old fanbase to such an extent that the band were booed at several concerts during the subsequent tour, most notoriously at Leiden, Holland.

Instead, they took us on a sentimental journey through their extensive back catalogue, with stuff dating back as far as "Firth of Fifth," from the 1973 album Selling England by the Pound, and Abacab aside, at least one track from every subsequent LP.

The set was more instrumental than usual to save Phil's voice a bit - but that was fine by me as many of the band's greatest efforts have been instrumentals. And in any case, during the "Duke's Travels" section of the "In the Cage" medley, the crowd did the singing for him.

If I have one slight criticism it is that while the merchandise featured images from the early 70s albums Foxtrot and Nursery Cryme, there was no material from these LPs performed. "Fountain of Salmacis" and "Watcher of the Skies" would have been nice additions, maybe at the expense of some the later stuff.

For me, though, the big highlight of the show was "Ripples," the haunting track from the 1976 album A Trick of the Tail. This one has not been a regular feature of their live set since the Seconds Out tour in 1977, and was the one genuinely unexpected surprise for the old fans.

"Sail away, away, ripples never come back" says the song. But as my mum once told me, new ones start.