The real scandal of the New Labour years

Harold Wilson once said that the Labour Party is a moral crusade or it is nothing. Despite the focus of the last few weeks, I have long believed that the real scandal of the Blair-Brown years is not Sleaze, nor Iraq, nor even the fact that they managed to employ Alastair Campbell. It is the fact that a Labour Government - a Labour Government as Neil Kinnock would have put it - has managed to preside over an increase in inequality.

Today's report by the Sutton Trust provides further hard evidence of this catastrophic policy failure for a party of the centre-left.

Of course it wasn't Labour that started it. The decline in social mobility and emergence of a British underclass over the past 30 years is first and foremost the legacy of Margaret Thatcher. But the fact that the gap has continued to widen in the past ten years is proof, if ever it were needed, that the role of New Labour has essentially been to perpetuate the Thatcherite settlement rather than challenge or overturn it.

Some people will point to the demise of the Grammar Schools as a factor in preventing children moving out of deprived backgrounds. Others will blame house prices. Others will fatalistically conclude that the establishment always reasserts itself, and that the effortless superiority learned at public school will always be worth more in the job market than countless A-grades.

Either way, the political upside is that there is a challenge here for Gordon Brown which, if he can grasp it, might even yet give his government the moral purpose it currently lacks, and a way back from the political malaise in which it finds itself.

There is also, if his pride will permit, an old adversary who could help in that task - former Cabinet minister Alan Milburn, who was warning about this as long ago as 2003.

Back then Milburn wrote: "Getting Britain socially moving demands a new front in the battle for equal life chances. The most substantial inequalities are not simply between income groups but between those who own shares, pensions and housing and those who rely solely on wages or benefits."

It was designed as a possible prosepctus for the third term. Four years on, is it too much to be hoped that such ideas could yet form the basis of Labour's programe for a fourth term in power?

Cross-posted at Liberal Conspiracy.

More than 80pc of you say Harriet should go

Despite the current focus on Jacqui Smith - a sacrifical lamb if ever there was one - Harriet Harman is not yet quite out of the woods over the dodgy donations affair. My poll shows that 84pc of readers of this blog think she should resign and I reckon that is pretty close to where public opinion as a whole currently stands.

Clear favourite to replace her was Jon Cruddas with 38pc of the vote to 15pc for the next highest-placed candidate, Alan Johnson, 13pc for John Denham and 12pc for Hilary Benn but there appears to be much less interest in this potential contest, possibly reflecting the fact that after this summer's interminable marathon, we're all feeling a bit deputy-leadershipped-out.

No way to treat a great English composer

For those who haven't heard the story, it seems the BBC has sent a rejection letter to an independent producer who wanted to make a film about the composer Ralph Vaughan Williams, citing lack of topicality (or "findability" in the new jargon) as the reason.

The letter includes a now-infamous request to the producer in question to let them know about any forthcoming premieres of Mr Williams' work, so that this apparent "findability" deficit could be addressed. As any fule kno, Vaughan Williams died in 1958 and the whole point of the proposed film was to mark the fiftieth anniversary of his death next year.

I have to confess that this story, originally published in the Observer, had me checking the date on Sunday to make sure it wasn't an April Fool, but I'm not going to blog in detail on it because (a) it's a few days old now, and (b) The Half-Blood Welshman has said all I would really want to say on his blog.

Suffice to say that RVW was, as Half-Blood says, a signifcant musical figure. One of his most under-rated pieces, in my view, is Five Tudor Portraits, which I sung at the Royal Festival Hall in 1978 as part of the Hertfordshire County Youth Choir. Happy memories.